On June 20 I went to The Metropolitan Museum of Art in New York City, NY with my partner Tim. Our trip there was fun in itself, getting to take the train in and then the subway. I've seen many videos of people on the subway entertaining other passengers either by playing an instrument, singing, or dancing, and in our subway car a guy was breakdancing! For all the times I've gone in to the city I had yet to see someone perform, so it was a cool experience getting to see someone do something they love and make other people smile and be impressed by their skills. After walking to the Met from the subway station, we had to wait in a little bit of a line but it went by pretty quick. There were tons of people sitting out on the steps just eating lunch or talking with friends, so we made note of that to do after we were done with our visit. The security guards were very kind and helpful, and we used the kiosks to check in with. Instead of grabbing a map we decided to go in to the closest exhibit and wander around in the direction of things that caught our eyes. The Met, as I will talk about later, has so much history and purpose, besides just being a beautiful piece of architecture in the center of New York City. It has been a long time since I have last seen the Met, so much so I don't even remember the last time I went, so getting to go back with someone who was visiting a major art museum like that for the first time was a wonderful experience.

The Egyptian Collection entrance
Four Statues of the Goddess Sakhmet. New Kingdom, Dynasty 18. 1390-1352 B.C. Granodiorite.
Dimensions for individual statues roughly: 82 11/16 in x 18 11/16 in x 37 5/8 in.
Sphinx of Hatshepsut. Dynasty 18. 1479-1458 B.C. Granite.
Dimensions: 64 9/16 in x 135 1/16 in.
The Met has over 5,000 years of art from across the globe in its exhibits, with two in person locations: The Met Fifth Avenue & The Met Cloisters, as well as their online collection: The Met Experience. The Met was founded on April 13, 1870, originally designed by architects Calvert Vaux and Jacob Wrey. With all the expansions that the museum has done, the original structure is completely surrounded by the new architecture. One of their big accomplishment was in 1910, when they were the first museum to acquire a work by Henri Matisse. The Met now holds 26,000 ancient Egyptian objects which makes it the largest collection of Egyptian art outside of Cairo, Egypt. This is not their only giant collection, as their American Wing now holds the most comprehensive collection of American paintings, sculpture, and decorative arts. Every time you visit, there are tens of thousands of objects to see placed around the museum's two-million-square-foot building. The Met does an incredibly thorough job of conserving the pieces that live there, now the job site of nearly 100 conservators, conservation scientists, and conservation preparators. The Met has evolved as the world has, and now is using 3D printers to help create shields to go around pieces for when they need to be moved to help keep them safe as well as conserve their look and color.

Cannon (Bastard Culverin). French, 1550. Bronze.
Dimensions: 123.5 in x 19 1/2 in x 13 1/2 in.
Haggadah. Bohemian, Prague, printed 1527. Ink on paper, new leather binding.
Altarpiece. North Italian, 1390-1400. Bone framed with horn, traces of paint and gilding.
My favorite piece from the Met (pictured below) is a soft-paste porcelain wine bottle cooler. There are two total, and this piece caught my eye the second I walked into the room it was in. The vibrancy of the blue is beyond impressive to me, with the stunning decorative elements painted on in both gold and polychrome enamels. I am always impressed when I see a piece of art, particularly sculpture or ceramics, that has lasted as beautifully as this one for thousands of years. This piece is part of the porcelain dinner services made for King Louis XV of France. This service required the development of new models since it was the first of this size of dinnerware, and was the first to use this turquoise ground color also known as bleu celeste. Both wine coolers, the second not pictured, are very similar in decoration but have subtle differences in the flower paintings and gilding. These coolers, as well as the other pieces delivered to King Louis XV in his dinnerware and dessert set, were the beginning of the Vincennes factory becoming a serious name for soft-paste porcelain.

Wine bottle cooler from the Louis XV service. French, 1754. Soft-paste porcelain decorated in polychrome enamels, gold.
Dimensions: 7 7/8 in x 10 3/8 in x 7 13/16 in.
I'd also like to say hi to Ariana! I know you've been commenting under my posts and I really appreciate it. I keep trying to comment under yours but it says an error occurred and won't let me publish anything. I'm so glad you had a great trip to the Met too, and all the other museums as well. It's been so fun getting to see your experience and the pieces you took pictures of compared to mine since, as we both mentioned, it's next to impossible to see everything in one museum like the Met in just one visit. I hope you're having a great summer, and I'm sorry I haven't been able to comment under your posts! Also to answer your question, I didn't get to visit the fashion exhibit – it's one of the things I want to go back to see!! :)
Information:
https://www.metmuseum.org/about-the-met
https://www.metmuseum.org/about-the-met/history
https://www.metmuseum.org/about-the-met/conservation-and-scientific-research/conservation-stories/history-of-conservation
https://www.metmuseum.org/art/collection/search/205250?ft=two+wine+bottle+coolers&offset=0&rpp=40&pos=3
https://www.metmuseum.org/art/the-collection