Monday, June 27, 2022

Ariana's 4th Paper

 The Metropolitan Museum of Art

The museum opened in 1870 in a different location in New York City than where the iconic Fifth Ave building is today. In 1880, the museum opened its doors to its current location. The original building design is where the current Robert Lehman gallery is located and has since been expanded and constructed around. The Met as we know it, with Neoclassical design and spacious lobby was opened and created in 1902 by Richard Morris Hunt. Over the years, they have significantly expanded and grown its collection to over two million square feet of space. The Metropolitan Museum of Art is also affiliated with The Met Cloisters which focuses on Medieval art and history. Their mission is as follows: "to be located in the City of New York, for the purpose of establishing and maintaining in said city a Museum and library of art, of encouraging and developing the study of the fine arts, and the application of arts to manufacture and practical life, of advancing the general knowledge of kindred subjects, and, to that end, of furnishing popular instruction"(https://www.metmuseum.org/about-the-met). Their purpose and guidance for running the museum continues to be the core of everything the museum does, and they remain innovative in how they achieve their goals. 

                                           


While here, they had several special exhibits. An Anthology of Fashion, Dutch Masterpieces, The African Origin of Civilization and Kimono Style are just some examples. One of my favorite features of the Met is how they really create a story and give context in their exhibits for the audience to engage and gain better understanding. I also noticed how the museum is using technology more with music and projections on to the art and exhibits such as the Temple of Dendur. 

An Anthology of Fashion


                                                                       Dutch Masterpieces

The Visit. Pieter de Hooch. ca 1657. Dutch. Oil on wood. Dimensions: 26 3/4 x 23 in. (67.9 x 58.4 cm)
Young Woman with a Water Pitcher. Johannes Vermeer. ca 1662. Dutch. Oil on Canvas. Dimensions: 18 x 16 in. (45.7 x 40.6 cm)

African Origin of Civilization


Apparently the blue hippopotamus featured on the left is nicknamed "William". He dates back all the way to the Middle Kingdom period in Egypt. His story can be found here: https://www.metmuseum.org/art/collection/search/544227

                                                            

Kimono Style

   
A Contest of Elegant Ladies among the Cherry Blossoms. Yoshu Chikanobu. Meiji Period (1868-1912). September 1887. Triptych of woodblock prints; ink and color on paper. Dimensions: Image: 14 5/8 x 29 1/8 in. (37.1 x 74 cm)

After a quick snack break, we made sure to stop and ride the elevator to the roof top. The views of the city skyline are amazing! We saw they also have a bar and a good place to get some fresh air without having to technically leave the museum. From time to time, they do have art installations on the roof as well. 



My favorite overall exhibit was the second floor 19th and Early 20th Century European Paintings and Sculpture. Here we found paintings from van Gogh, Monet, Manet, Seurat, Gauguin and Renoir. 
While reading an informational card in Gallery 822, it details the intertwined lives of Vincent van Gogh and Paul Gauguin. They were both involved in the Post- Impressionism art movement in France at the time, meeting each other frequently. When viewing the individual works below, you can see the similarities and techniques shared between this group of artists. But their are subtle differences as well, such as use of color and subject matter. 


la Orana Maria (Hail Mary). Paul Gauguin. 1891. Post-Impressionist. Oil on canvas. Dimensions: 44 3/4 x 34 1/2 in. (113.7 x 87.6 cm)


Study for "A Sunday on La Grande Jatte". Georges Seurat. 1884. Impressionist. Oil on canvas. Dimensions: 27 3/4 x 41 in. (70.5 x 104.1 cm)



Wheat Field with Cypresses. Vincent van Gogh. 1889. Post Impressionist. Oil on canvas. Dimensions: 28 7/8 × 36 3/4 in. (73.2 × 93.4 cm)


Rouen Cathedral: The Portal (Sunlight). Claude Monet. 1894. Impressionist. Oil on canvas. Dimensions: 39 1/4 x 25 7/8 in. (99.7 x 65.7 cm)


The Monet Family in their Garden at Argenteuil. Edouard Manet. 1874. Impressionist. Oil on canvas. Dimensions: 24 x 39 1/4 in. (61 x 99.7 cm)

While walking around the gallery, I noticed their were many summer camps being led by museum tour guides. It was enjoyable to stop and listen to the commentary and conversation between the kids and guides and I learned quite a bit myself. 



Garden at Sainte-Adresse. Claude Monet. 1867. Impressionist. Oil on canvas. Dimensions: 38 5/8 x 51 1/8 in. (98.1 x 129.9 cm)


The above painting by Claude Monet, Garden at Sainte-Adresse, was among my favorite pieces from the exhibit on 19th and Early 20th century European art. It depicts Monet's father and extended family spending time outside. According to the description card from the museum, "Monet spent the Summer of 1867 with his family at Sainte-Adresse, a seaside resort near Le Havre." He uses color vibrantly here, with the flowers in the garden and the turquoise of the water. Their are both French and Spanish flags waving above the garden so it feels as if the painting is conveying a sense of movement and wind. In the distance you see smoke billowing from the ships, giving a sense of foreboding because you are unaware if they are warships heading off to fight. Apparently, at the time of painting this, his mistress Camille, was pregnant. His father wished for him to stop painting and to abandon Camille. Monet travelled with his family to Le Havre to both appease him family and to prove to them about his career as a painter. He would later marry Camille, and would continue create more art. Below is another piece he created during that summer in titled Garden in Bloom at Saint-Adresse located at Musee D'Orsay in Paris, France:

Claude Monet.1866. Impressionist. Oil on canvas. Dimensions: 64.8 x 53.8 cm

Monet was a French painter and is most famously known to be the founder and creator of the Impressionist art movement and is the precursor to Modernism. In his work, Monet did not create perfect detailed paintings, but instead wanted to create a lasting "impression" of nature and the scene he was painting. Even though he struggled to make a stable income off of his work, he remained steadfast in his passion for art. 

As noted above, Garden at Saitne-Adresse, has a vibrant use of color. According to information from the Metropolitan Museum's website, "Monet’s source for these kinds of colors was Japanese ukiyo-e prints. His use of an elevated bird’s eye view was also a product of looking at the prints of Utagawa Hiroshige and Katsushika Hokusai." In fact, the prints being referenced to are still located within Monet's home in Giverny, France. That print is detailed below, and you can see the similarities between the two works.

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei). Katsushika Hokusai. ca 1830-1832. Japanese. Woodblock print; ink and color on paper. Dimensions: Oban 10 1/4 x 15 1/4 in. (26 x 38.7 cm)

    

Citations:
https://www.artst.org/was-van-gogh-an-impressionist/

https://www.metmuseum.org/art/collection/search/437133

https://www.metmuseum.org/art/collection/search/55740

Paper #4 – Katelyn Westervelt

On June 20 I went to The Metropolitan Museum of Art in New York City, NY with my partner Tim. Our trip there was fun in itself, getting to take the train in and then the subway. I've seen many videos of people on the subway entertaining other passengers either by playing an instrument, singing, or dancing, and in our subway car a guy was breakdancing! For all the times I've gone in to the city I had yet to see someone perform, so it was a cool experience getting to see someone do something they love and make other people smile and be impressed by their skills. After walking to the Met from the subway station, we had to wait in a little bit of a line but it went by pretty quick. There were tons of people sitting out on the steps just eating lunch or talking with friends, so we made note of that to do after we were done with our visit. The security guards were very kind and helpful, and we used the kiosks to check in with. Instead of grabbing a map we decided to go in to the closest exhibit and wander around in the direction of things that caught our eyes. The Met, as I will talk about later, has so much history and purpose, besides just being a beautiful piece of architecture in the center of New York City. It has been a long time since I have last seen the Met, so much so I don't even remember the last time I went, so getting to go back with someone who was visiting a major art museum like that for the first time was a wonderful experience.


The Egyptian Collection entrance


Four Statues of the Goddess Sakhmet. New Kingdom, Dynasty 18. 1390-1352 B.C. Granodiorite.

Dimensions for individual statues roughly: 82 11/16 in x 18 11/16 in x 37 5/8 in.


Sphinx of Hatshepsut. Dynasty 18. 1479-1458 B.C. Granite.

Dimensions: 64 9/16 in x 135 1/16 in.

The Met has over 5,000 years of art from across the globe in its exhibits, with two in person locations: The Met Fifth Avenue & The Met Cloisters, as well as their online collection: The Met Experience. The Met was founded on April 13, 1870, originally designed by architects Calvert Vaux and Jacob Wrey. With all the expansions that the museum has done, the original structure is completely surrounded by the new architecture. One of their big accomplishment was in 1910, when they were the first museum to acquire a work by Henri Matisse. The Met now holds 26,000 ancient Egyptian objects which makes it the largest collection of Egyptian art outside of Cairo, Egypt. This is not their only giant collection, as their American Wing now holds the most comprehensive collection of American paintings, sculpture, and decorative arts. Every time you visit, there are tens of thousands of objects to see placed around the museum's two-million-square-foot building. The Met does an incredibly thorough job of conserving the pieces that live there, now the job site of nearly 100 conservators, conservation scientists, and conservation preparators. The Met has evolved as the world has, and now is using 3D printers to help create shields to go around pieces for when they need to be moved to help keep them safe as well as conserve their look and color.


Cannon (Bastard Culverin). French, 1550. Bronze.

Dimensions: 123.5 in x 19 1/2 in x 13 1/2 in.


Haggadah. Bohemian, Prague, printed 1527. Ink on paper, new leather binding.


Altarpiece. North Italian, 1390-1400. Bone framed with horn, traces of paint and gilding.

My favorite piece from the Met (pictured below) is a soft-paste porcelain wine bottle cooler. There are two total, and this piece caught my eye the second I walked into the room it was in. The vibrancy of the blue is beyond impressive to me, with the stunning decorative elements painted on in both gold and polychrome enamels. I am always impressed when I see a piece of art, particularly sculpture or ceramics, that has lasted as beautifully as this one for thousands of years. This piece is part of the porcelain dinner services made for King Louis XV of France. This service required the development of new models since it was the first of this size of dinnerware, and was the first to use this turquoise ground color also known as bleu celeste. Both wine coolers, the second not pictured, are very similar in decoration but have subtle differences in the flower paintings and gilding. These coolers, as well as the other pieces delivered to King Louis XV in his dinnerware and dessert set, were the beginning of the Vincennes factory becoming a serious name for soft-paste porcelain.


Wine bottle cooler from the Louis XV service. French, 1754. Soft-paste porcelain decorated in polychrome enamels, gold.

Dimensions: 7 7/8 in x 10 3/8 in x 7 13/16 in.

I'd also like to say hi to Ariana! I know you've been commenting under my posts and I really appreciate it. I keep trying to comment under yours but it says an error occurred and won't let me publish anything. I'm so glad you had a great trip to the Met too, and all the other museums as well. It's been so fun getting to see your experience and the pieces you took pictures of compared to mine since, as we both mentioned, it's next to impossible to see everything in one museum like the Met in just one visit. I hope you're having a great summer, and I'm sorry I haven't been able to comment under your posts! Also to answer your question, I didn't get to visit the fashion exhibit – it's one of the things I want to go back to see!! :)

Information:

https://www.metmuseum.org/about-the-met
https://www.metmuseum.org/about-the-met/history
https://www.metmuseum.org/about-the-met/conservation-and-scientific-research/conservation-stories/history-of-conservation
https://www.metmuseum.org/art/collection/search/205250?ft=two+wine+bottle+coolers&offset=0&rpp=40&pos=3
https://www.metmuseum.org/art/the-collection


Friday, June 24, 2022

Ariana's Photo Essay

 The Metropolitan Museum of Art

Hi class! Hope everyone is having a good summer so far! This past Thursday June 23rd, I took the train with my mom to the Metropolitan Museum of Art in NYC. It was a great day, the rain was no where in sight and this was my mom's first time at the Met. We got there early before the museum opened, and there was already a line out the door. As we made our way in, I made mistake number one and forget to pick up a map so PLEASE make sure you grab one when you first get in. We did locate one after making our way halfway through the first floor, but the guards were super helpful and it was like they all had a GPS in their head of how to get from point A to point B. For the photo essay, I decided to focus one of my favorite exhibits from the day: Winslow Homer: Crosscurrents. This exhibit in particular was fascinating to me because during the time period of his life, America was in the period of Reconstruction and his art reflects life in the South. It also is interesting because the curators made special note to tell the story of his life through use of his work. As the audience, we can grasp how his life and travels influenced his paintings and use of color to depict nature. His time in the Bahamas was represented quite vibrantly, and his use of dark colors to capture storms and nature's ferocity was great technique. He spent the last 25 years of his life in Maine, and his work from that time period is indicative of the landscape there. (Side note: the museum was extremely busy and it was hard to get the proper angles and close-ups of the art. I hope everyone enjoys!) 


The Veteran in a New Field. Winslow Homer. 1865. American. Oil on canvas. Dimensions: 24 1/8 x 38 1/8in. (61.3 x 96.8cm) Framed: 37 3/8 × 51 1/4 × 5 1/4 in. (94.9 × 130.2 × 13.3 cm)


A Visit from the Old Mistress. Winslow Homer. 1876. American. Oil on Canvas. 
Dimensions: 18 x 24 in. (45.7 x 61.0 cm)
Framed: 32 1/2 x 38 5/8 in. (82.6 x 98.1 cm)


Dressing for the Carnival. Winslow Homer. 1877. American. Oil on canvas. 
Dimensions: 20 x 30in. (50.8 x 76.2cm)
Framed: 31 9/16 × 41 1/2 × 5 7/8 in. (80.1 × 105.4 × 14.9 cm)

The Cotton Pickers. Winslow Homer. 1876. American. Oil on canvas. 
Dimensions: 24 1/16 × 38 1/8 in. (61.12 × 96.84 cm) 
Framed: 35 1/4 × 49 1/4 × 3 1/2 in. (89.5 × 125.1 × 8.9 cm)


The Turtle Pound. Winslow Homer. 1896. American. Watercolor and graphite on paper. Dimensions: 14 15/16 x 21 3/8 in. (37.9 x 54.3 cm)


Palm Tree, Nassau. Winslow Homer. 1898. American. Watercolor and graphite on wove paper. Dimensions: 21 3/8 x 14 7/8 in. (54.3 x 37.8 cm)
Framed: 30 1/2 x 24 1/2 in. (77.5 x 62.2 cm)


Cannon Rock. Winslow Homer. 1895. American. Oil on canvas. Dimensions: 40 x 40 in. (101.6 x 101.6 cm)


Shark Fishing. Winslow Homer. 1885. American. Watercolor on paper. 
Dimensions: 13 7/8 x 20 in. (35.2 x 50.8 cm)
Framed: 30 3/4 x 24 1/2 x 2 in. (78.1 x 62.2 x 5.1 cm)


Native Hut at Nassau. Winslow Homer. 1885. American. Watercolor and graphite on wove paper. 
Dimensions: 14 1/2 x 21 15/16 in. (36.8 x 53.2 cm)

An October Day. Winslow Homer. 1889. American. Watercolor and graphite on wove paper. 
Dimensions: 14 1/16 x 19 3/4 in. (35.7 x 50.2 cm) Framed: 22 1/2 x 28 3/8 in. (57.2 x 72.1 cm)


Close up of above painting


Woods at Prout's Neck. Winslow Homer. 1887. American. Watercolor on paper. 
Dimensions: 10 7/8 × 19 3/4 in. (27.6 × 50.2 cm)
Framed: 21 3/4 in. × 30 1/2 in. × 2 3/4 in. (55.2 × 77.5 × 7 cm)


Bear Hunting, Prospect Rock. Winslow Homer. 1892. American. Watercolor and graphite on paper. Dimensions: Sheet: 13 7/8 x 20 in. (35.3 x 50.8 cm)
Framed: 22 1/4 x 28 1/4 in. (56.5 x 71.8 cm)


Diamond Shoal. Winslow Homer. 1905. American. Watercolor and graphite on paper. Dimensions: 13 7/8 x 21 ¾ in (35.5 x 55.2 cm) Framed: 26 x 33 7/8 x 3 in. (66 x 86 x 7.6 cm)


Burnt Mountain. Winslow Homer. 1892. American. Watercolor and graphite on wove paper. Dimensions: Sheet: 13 15/16 in. × 20 in. (35.4 × 50.8 cm)
Framed: 17 1/2 in. x 22 in. (44.5 x 55.9 cm)


Busy day!



A Garden in Nassau. Winslow Homer. 1885. American. Watercolor, gouache, and graphite on wove paper. 
Dimensions: 14 1/2 x 21 in. (36.8 x 53.3 cm)
Framed: 32 1/2 x 39 1/16 in. (82.6 x 99.2 cm)


Oranges on a Branch. Winslow Homer. 1885. American. Watercolor on paper. 
Dimensions: 14 x 19 5/8 in. (35.6 x 49.8 cm)


Flower Garden and Bungalow, Bermuda. Winslow Homer. 1899. American. Watercolor and graphite on wove paper. 
Dimensions: 13 15/16 x 20 15/16 in. (35.4 x 53.2 cm)
Framed: 24 1/2 x 30 1/2 in. (62.2 x 77.5 cm)


The contrast between light and dark above is stunning


Hurricane, Bahamas. Winslow Homer. 1898. American. Watercolor and graphite on wove paper. Dimensions: 14 7/16 x 21 1/16 in. (36.7 x 53.5 cm)
Framed: 24 1/2 x 30 1/2 in. (62.2 x 77.5 cm)